後佔領﹕藝術、士紳化、內戰 After Occupy: Art, Gentrification and Civil War 為期兩天關於藝術／文化工業以及士紳化的工作坊及討論 Two days of talks and workshops on the art/culture industry and gentrification 日期﹕一月二十五至二十六日 Dates: 25-26 January 2014 Venue/地點﹕A Space，亞洲藝術文獻庫/ Asia Art Archive 香港上環荷里活道233號十樓 10/F Hollywood Centre, 233 Hollywood Road, Sheung Wan, Hong Kong Limited capacity! RSVP: info (at) doxacollective (dot) org Participants:...
Publication of 城市裡的藝術怎麼了？(What happens to art in the cities?) in 凤凰都市 (Phoenix Metropolis), p.62-65, 06.2014, China
After Occupy from Yuk HUI published in Kulturrisse - Zeitschrift für radikaldemokratische Kulturpolitik (4/2013) can now be accessed from their archive.
We are happy to announce the publication of the book "Creative Space: Art and Spatial Resistance in East Asia" (創意空間﹣東亞的藝術與空間抗爭)
Publication of 如果我們還有空間… (If we still have space...) by Yuk HUI in ACT (Art Critique of Taiwan), No.57, 2014, p.10-17.
"After Occupy" (Yuk Hui) published in the current special issue ( 예술의 세계화, 그 환영과 실체) of the Contemporary Art Journal (2013, no.15) , you can find both the Korean and English versions here.
The global economic crisis has had a widespread impact across the cultural sector in Europe and the UK in the past 5 years. We are now witnessing the rise and fall of the ‘Creative Economy’ which has emerged in the past 15 years through neoliberal policies. New hope to revive the economy is envisioned in the ‘Digital Economy’, where policies intend to place digital innovation at the heart of economic growth. In order to participate in the digital economy, arts organizations are pushed to become ‘digital organizations’. There is a need to re-think the entire cultural and economic system today in the face of a global economic crisis. Despite depreciating funding for the arts, new possibilities can be found in ideas and practices of digital culture and the digital arts.
From Living to Individuation – reflection on a negative anthropology by Yuk Hui [to appear on the catalogue of the "Living as Form" nomadic exhibition (Hong Kong stop) Nov 3-18, 2012] Why should one subsume living to a form? To pose this question is not to remove form from living, but to question the very notion of form itself. Today politics is becoming bio-political – meaning the productivity of capitalism penetrates more and more into our livings, not simply by buying off our physical force, or make us to buy commodities as Marx analysed in Das Kapital, but controlling our tastes, gestures, habits, genetic information, etc – living can no longer retreat to its own term. If here living as form is to identify such a resistance or vital force in an affective manner, I would rather like to follow Gilbert Simondon and call it individuation. The problem of form doesn't lie on form per se but its attachment to hylomorphism since the ancient Greeks, notably in the philosophy of Aristotle.
For Critical Cities Vol. 3, DOXA contributes an article featuring an interview with Professor Tang Wing Shing from the Department of Geography at Baptist University in Hong Kong. The text looks at the concept of space and property in a global financial centre that is quickly developing its creative industries.
DOXA was published in Reviews in Cultural Theory an online journal published by the Department of English and Film Studies at the University of Alberta in Canada. This article followed a residency at The Banff Centre 'On the Commons' residency along with guests Pedro Reyes, Lauren Berlant and Michael Hardt.
This drafted essay by Yuk HUI is made as intervention to DOXA's event in 'ArtHK2012' : Art and Spatial Resistance: Emergent strategies in Asia.
The article of Yuk HUI/DOXA on Occupy Central in Hong Kong, in related to the local economic and artistic milieu was honorly translated into Greek, the first part has been published on the online journal OUGH: http://www.ough.gr/